Revelations last week that the Primate of Ireland, Sean Brady (a cardinal) had administered oaths of secrecy to children who had been sexually abused by Brendan Smyth (a priest) led to calls from many Catholics for his resignation.
Others were more supportive and thought a good man (Brady) was entitled to forgiveness for his mistake (failing to report the raping of children to the police).
The first podcast is based on interviews with Catholics in Belfast.
The second is based on interviews with prominent Irish poets from Catholic backgrounds.
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The Pope is patronising us.
The BBC reported his letter as an apology butit was nothing of the
kind, for he takes no responsibility at all for abuse or cover-up. He
is sorry in the way he might be sorry for the Haitian earthquake,
sorry it happened.
The most distinctive feature of his pastoral letter is his confidence
in his superior wisdom and in Rome’s detachment from the problem of
child abuse in Ireland.
His contribution to putting things right is to urge the church to pray,
and to rebuke bishops for having failed to understand canon law when
they protected abusers from the police.
He speaks of ‘information that has come to light’, as if it was news
to him that some priests had been raping children here for decades and
that his own bishops had been swearing traumatised children to
secrecy.
He refers repeatedly to the Irish bishops coming to him and reporting
the problem. He has listened to what they had to say, like a parent
who has summoned children to explain how a window had come to be
broken.
He has provided Irish Catholics with a prayer to say and he has urged
a special Mission to reflect on the sins of the past; he even promises
us an ‘Apostolic Visitation’. By this he means, I presume, that he’ll
be checking up on how well the local church is responding to his
advice and guidance.
Expect a lot of breast beating by bishops and clergy as they indulge
their remorse and come to feel better about themselves.
The letter addresses all the faithful of Ireland and sets out hopes
for the future, which are simply that the people will pray more
ardently and recover their respect for their clergy and their bishops
and that the tsunami of horror raised by the scandals will not reach
Rome.
The Pope’s entire approach is as a wise teacher who has had nothing to
do with the creation or perpetuation of the problem of child abuse by
priests in Ireland, or the cover up, and who can put it right if we
follow his advice; which is to pray.
And Cardinal Sean Brady, who got into trouble by being a company man
at the start is loyal still and has welcomed the letter, expressed his
gratitude for it, as if the Pope had gone to some great trouble for us
all by writing it.
I wonder who did write it.Clearly somebody with a knowledge of Irish
history and an expectation that Catholics today will mellow in the
face of appeals to remember the history of the Irish Catholic
martyrs, ‘the rock from which [they] were hewn’.
The letter reflects on the history of Catholic persecution and the
rapid expansion of the church in Ireland after Catholic emancipation.
The writer occasionally loses the run of himself: ‘In almost every
family in Ireland, there has been someone – a son or a daughter, an
aunt or an uncle – who has given his or her life to the Church.’ This
overstates the enveloping scale of Irish Catholicism to the extent of
failing to notice that there are Irish Protestants too.
The pitch is to Irish Catholics to feel good about themselves; to
remember their proud history and not to be disheartened by the
scandal; it is an appeal to them to indulge instead the old fantasies
about the land of saints and scholars.
Much of the letter reflects on the creation of the problem of abuse.
None of the blame attaches to Rome. There were poor selection
procedures for priests and bad training in the seminaries, a culture
of deference in our society and ‘a misplaced concern for the
reputation of the Church and the avoidance of scandal, resulting in
failure to apply existing canonical penalties and to safeguard the
dignity of every person.’
The Pope accuses the bishops of failures of leadership and a
misapplication of canon law and tells them to ‘continue’ co operating
with the civil authorities, as if there was never any impediment to
them reporting abusers to the police, other than in their own failure
to grasp Rome’s intentions.
In other words, when Sean Brady was imposing oaths of silence on abused
children, it was out of a misreading of canon law, not a judicious
application of it.
The cardinal may be grateful for these Papal insights, as he says, but the
Pope has just washed his hands of him.
The letter says, ‘In particular, there was a well-intentioned but
misguided tendency to avoid penal approaches to canonically irregular
situations.’
The tragedy is that abuse has ‘obscured the light of the Gospel to a
degree that not even centuries of persecution succeeded in doing’.
So the letter concedes nothing to those who blame the cover up on
systemic failures within the Catholic church. There is no suggestion
anywhere that Rome was part of the cover up or that those priests and
bishops who protected abusers from the law had any endorsement for
their measures from the Vatican.
The Pope believes the Catholic church in Ireland can be restored to
former glory and that the scandals of abuse and cover up can be put
behind us. This is good news for anyone who feared for a moment that
the church was going to change rules on celibacy or obedience or
seriously consider that there was anything systemically wrong with it.
The only problem, after all, was the bishops and their recruitment and training
procedures and a weakening of the faith.The Pope trusts that all that
can be put right and that things will be back to normal before long.
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I saw this protest outside the church of St Nicolas in Nantes last week, March 13. The Catholics on the church steps were conducting a service around an icon, the protesters were objecting to Catholic teaching on abortion and women’s rights, and the police were in the middle.
You can hear both the protest chanting and the prayers in this clip below.
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Sean Brady, the Catholic Primate of Ireland and a Cardinal, participated in a church tribunal in 1975 at which two sexually abused children were sworn to secrecy. The punishment for the priest who had raped them: he was stripped of his power to hear confessions and the Nortbertine order, of which he was a member, was notified.
Brady, having participated in a procedure which freed an abuser to attack children for another twenty years, should see that he is unfit to head a church which must own up to its past crimes against the people and change its ways.
We now understand what the highest Catholic authority in the land
regards as an adequate moral defence against the charge of colluding
with a paedophile priest against the state.
For what absolves Cardinal Brady in his own mind is what he must
concede absolves all below him who behaved as he did.
When deployed by his bishop to witness a pledge of silence from the
victims of the odious Brendan Smyth, the most notorious of all the
paedophile priests, because his outing was the first major one in a
long series since, Father Brady, as he then was, did what most other
priests would have done at the time.
He was just obeying orders.
A priest makes a pledge of full obedience to his bishop at ordination.
There are now serious grounds for considering whether that pledge
should be allowed in law.
Cardinal Brady explains that there were people in authority over him
who were properly appointed to make the kind of decision that he as a
bishop’s flunky could not make.
There were no procedures in place by which a mere priest could act
against the wishes of a bishop to report the rape of children to the
police and to report his own seniors for exacting secrecy from
victims.
Well, no doubt there weren’t.
A priest was not an independent citizen with a responsibility to deal
directly with the institutions of the state.
And the church of that time lived in the smug confidence that its
authority was higher than that of the law of the land.
So, what Cardinal Brady says in his defence merely confirms the most
negative perception of the church he now heads; that it was a law onto
itself and that those who lived by that understanding are even yet
immune to criticism for having surrendered their civic duty and their
moral consciences.
If the Cardinal does not withdraw this defence, then he allows it to
countless other priests and bishops who, in the past, lived by the
precept that they were above the law and that they had a right to
conceal paedphilia from the police.
And he misses the significance of the disclosures of the past year.
The Murphy and Ryan reports into abuse by clergy and members of
religious orders, and their cover-ups, didn’t go in much for
retrospective justification.
And heads rolled in some dioceses at least, as bishops recognised that
their moral authority was tainted by their participation in cover-up.
If Cardinal Brady does not step down then he is saying, in effect,
that these others need not have stepped down either.
And even if there is a legal clause that allows that he did not break
the law when he witnessed cover up and did not speak out, there is no
moral defence. And Cardinal Brady’s misfortune is that he must be a
moral exemplar and he is not.
He has known, throughout the agonising in this country after the Murphy
Report, that he was as vulnerable as any other priest to the charge of
collusion. And if he was really leading the new open church he
promised, then he should have stated frankly at that time that he had
himself worked on cover-up procedures and asked the forgiveness and
indulgence of his flock.
It is an extraordinary reflection on his church that it elevated him
to the post of Cardinal without checking – or perhaps without caring -
that past scandal might rise up to undermine him.
Certainly, he could not run for public office in any other
organisation if his colleagues knew that he had once taken statements
from abused children in which they pledged themselves to secrecy.
What did his fellow bishops know? This case has been brewing for
years. What did the Pope know? Did the Pope, when he summoned bishops
to Rome last month, know that the Irish Primate himself, a cardinal,
was vulnerable to being outed in this way?
What is needed of Cardinal Brady is that he can stand above any
scandal that arises and that he can make clear the church’s total
rejection of paedophilia and cover up. He can not now do that.
He must never be vulnerable to having any other colluder point him out
as a reason to evade resignation.
Yet, if he does not go, then many of the others who will be exposed in
future will be able to refuse also to go.
And if his defence remains that he was only doing what any other
priest in his position would have done at that time, then every priest
in the country must come under suspicion of having done the same.
There were some in the church who believed that the worst of the
scandals were over with the sample cases examined and exposed by the
Murphy and Ryan reports.
But Cardinal Brady’s defence of his action carries the implication
that the whole church was primed to collude against victims and
against the law.
If that is the case, then the whole church should be investigated.;
every diocese. Flush out them all.
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Here’s a gem you might have missed as a comment on the Contact page:
Hi Malachi, as a journalist from a nationalist background it gives me hope that somebody like yourself can be well known. I think to myself, if a dense little twat like Malachi who acts like a monkey to the unionist gallery by revealing his life `as a teenage catholic’ can make it, then anyone can. I’ve read your articles and, remarkably, they are devoid of anything intelligent to say. Still, you can prance around and they’ll throw you a few bannanas, you twat. Get a life, get a brain, get an identity.
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Here is some graffiti I spotted in the last couple of days. Actually, the first one has been on a wall on the main Omagh Road out of Strabane for months. The bit I have deleted shows a car registration number, presumably an invitation to attack that car. You’d think the police would have moved to have the whole thing painted over.
This one won’t be on the wall for so long. You have to be up early to catch graffiti that targets the MP for West Belfast, but it was still on the wall at the corner of the Grosvenor Road and Falls Road this morning at 8.30.
And here is the paint-out job, this afternoon:
Kiri Barker has more of this kind of thing.
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A sampling of voices on a Belfast city street suggests that people have very little interest in the political regime that serves them – crisis fatigue, perhaps.
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I read a couple of pieces from Under His Roof, my book about my father, at The Wild Geese Literary Festival in Strangford on Feb 6.
It seemed to go down well.
You can hear a recording here:
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Mo Mowlam surprised us all before she shocked us.
She was a heartening break from the sequence of plummy male
Secretaries of State whose job had been to speak implausibly for the
people of ‘Nawthen Arlan’ and their desire for peace. It is a pattern
we have now returned to, despite the sense then that she had broken
the mould.
She seemed an ordinary decent Northern woman, more like most of us
than the others were like any of us.
On her first day in office she got out of her car and walked about
meeting people in Donegall Place. Of course it was all PR, but it had
a grounded civility that none of her predecessors had quite managed.
And we knew while she was in office that she was a difficult woman.
There were early stories about her brain tumour, her weight gain, her
bawdy humour and how she stunned local politicians by taking her wig
off during meetings. All of these things made her likeable too. Though
not to everybody.
There is a scene in the film Mo, in which Julie Walters as the new
Secretary of State, confronting David Trimble for the first time,
spreads out her legs and tells the unionist leader that she is hiding
nothing from him.
Adrian Dunbar is as frighteningly good a Trimble as Walters is a Mo.
He plays a wooden and emotionally constipated protestant with nowhere
to look.
Yesterday Daphne Trimble traced that incident back to a meeting in the
Portadown constituency office, at which Mo met David Trimble and
Gordon Lucy. She says the meeting was not confrontational and that is
is nonsense to suiggest that it was then that David Trimble decided he
could not work with Mo. ‘Did he even notice?’ she said with a laugh.
In the film, the Mo that Trimble will have to deal with is shocking
and revolting. Her language is unquotable.
And that is how she was, apparently.
I remember once getting into a conversation with an ashen faced
broadcast technician who had just been dealing with her and he
expressed himself shocked and embarrassed. He did not expect to be
spoken to like that when he was doing his job, and he knew that a
colleague who addressed him in those terms would be asked to leave the
building. Apparently our local broadcasters have footage of the
moments before formal interviews, when sound levels and pictures are
checked, when she addressed them in the language of a docker.
Julie Walters’ portrayal of Mo is true to that experience.
Former members of her own staff complained about this behaviour. Andy
Wood, a press officer, later described how she had sent him out to the
shops for her tampons.
But there was warmth in her through all this. Local artists who have
been her guests at Hillsborough Castle have spoken of how she invited
them to use the Queen’s toilet, or even how she continued
conversations with them while having a pee herself.
Another civil servant I spoke to, on the day she left Northern
Ireland, talked of his first ‘ministerial hug’.
Two questions are implied by the film about this ribald and candid extravagance.
One is whether it worked some kind of magic among the stiff and
intractable local politicians. The other is whether it was really her
at all or a symptom of the tumour’s disinhibiting effect.
The producers of the film appear to believe that Mo came among us as a
saving angel, bringing joy and candour to a region that was humourless
and inflexible.
The weakness in the case the film makes is that that portrayal of
Northern Ireland does not ring true.
Mo’s first experiment in breaking down the reserve of a stuffy,
immovable poltiician is with Trimble. It fails. Trimble, in the film,
is so appalled by her that he simply refuses to deal with her, from
the first day. This is all good comedy and the target of it is the man
who became our first First Minister.
But is it true?
Well, Trimble can be stiff and irascible, but he too can also be funny.
And the fact is that he did work with Mo through the negotiations to
the Good Friday Agreement and that it was only later, during the
deadlock over decommissioning that he and his party worked more
directly to Blair and angled for Mandelson’s appointment.
The several interventions by Blair were presented as undermining Mo,
but this will seem particularly implausible in the week in which
Gordon Brown has similarly come in over the head of Shaun Woodward to
lead negotiations at Hillsborough.
Throughout the peace process, the heavy lifting has been done from
Downing Street and the job of Secretaries of State has been to
schmooze with the locals and placate them in small things.
The depiction of Adams and McGuinness is particularly naff.
They meet after a flirty call with Bill Clinton to have a wee word
with them to secure a ceasefire.
Actually the ceasefire was negotiated by the British and secured with
clear concessions to IRA demands. No one was quite as pliable as the
film suggests.
In their first meeting with Mo, they are like stuffed dolls.
Their first argument is about the question of whether the talks should
be time limited. Mo says they must be. A surly Adams says that a
problem that lasted eight hundred years can not be resolved in a few
months. A nice caricature, but actually the argument was the other way
round.
It was the republican movement which insisted on a time frame for
talks and refused to restore the ceasefire until that concession was
granted.
The murders of two policemen in pursuit of that demand should not have
been lightly omitted.
There are a lot of historical weaknesses.
We see Mo at Hillsborough Castle, on the day after the 1997 Drumcree
Parade making a snap decision to create a Parades Commission.
This is nonsense. There was a long preparatory period in which Rev
John Dunlop and Oliver Crilly drew up a report recommending the
commission. Unfortunately, it would feed nicely into Orange disdain
for the Commission to suggest that it was thrown together in a hissy
fit by a mentally unstable Mo.
And there are other historical weaknesses.
The SDLP does not even exist in the film. Couldn’t the producers have
had fun with Mo and a late night whiskey with John Hume of Seamus
Mallon?
There is practically no violence, other than in a collage of old
footage that she appears to witness through her car window as she
drives through the Bogside and Sandy Row from the airport to Donegall
Place.
The story of her visit to the Maze to meet Loyalist prisoners should
not have been told without an account of the killing by Loyalists in
Belfast in the same week.
And the producers presumably thought that mentioning the Omagh bomb
would have cast a shadow on the miracle ofpeace making they were
crediting her with.
But Mo has worked her magic and then been brought down, apparently
through a conspiracy between David Trimble and Peter Mandelson,
neither of whom could see what a world’s wonder she was. From there we
have the second part of the story that raises the question of how much
of her charm and influence came from the warping of her real
personality by the tumour.
Mo is persuaded by her husband that Blair is really jealous of her and
urges her to challenge him for the party leadership.
He is motivated by a sense that her political committment is
prolonging her life and that a reduction in her responsibilities will
bring her to an early death. What he sees, really, is that Mo needed
Northern Ireland more than Northern Ireland needed Mo.
It takes a word from the well grounded Scot, Adam Ingram, played by
Gary Lewis to put her right, but she never forgives him for that.
The deterioration of Mo is heart wrenching, and in the end she faces
the cruel question of whether she was ever really herself, when she is
told that she may have had the tumour for decades.
So even the fun-loving Mo that everyone had known before the illness
and the work in Ireland – never Northern ireland, in the film, for the
English don’t seem to know the difference – was a pathology.
This is a more serious question than the political one of whether she
really answered the irish question with a dirty joke.
It is a question about nature and the self, faced at the point of
death by a woman who finally doesn’t know who she was.
Julie Walters’ achievement in recreating this woman is a marvel. From
now on we will have a much firmer image in mind of the Walters’ Mo
than the real one, if there ever was a real one.
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